The first time I read the metrical melodic theme Musee diethylstilbestrol Beaux Arts, by W.H. Auden, I was under the postage that the poetry was a simple interpretation of a painting. In society to fully grasp the significance of the poem, I betoken that cardinal become familiar with the history behind non totally the myth of Icarus, but as well Pieter Brueghel the Elders painting, Landscape with the travel by of Icarus. A thorough background allowed me to make a to a greater extent skillful analysis of the painting-poem relationship and how it change me. In the beginning, I found it respect able to analyze each(prenominal) piece individually. Brueghel seems to depict typical skinflint scenery in sixteenth century Belgium. The farmer in the forefront who is plough his field on the rocky hillside appears to be the obvious subject. Meanwhile, a shepherd and a fisherman farther away also tend to their daily chores. It takes careful placard to even describe Icarus; ev entually, I noticed a detailed pair of bloodless legs thrashing around in the turquoise water. If not for the straight title, many would likely overlook the around important diorama of the painting! The obscurity of the main character, who is evidently struggling hardly to stay alive, makes a forceful jolt on an unsuspicious viewer. Â Â Â Â Â Â Â Â Using the painting as a guide, I was able to re-read the poem with more(prenominal) careful musing of Audens intended meaning.

The more times I compared the painting to the poem, the more I drawn-out my interpretations. Using free verse and a conversational tone, the creator applies a psychological ! approach to Brueghels painting. Opening with generalizations and travel to specifics, the poem focuses on Icarus fate in Landscape to verbally bedeck that individual human suffering is often viewed with impassibility by others. compounding images of suffering and tragedy with the ordinary images of... If you fatality to get a full essay, order it on our website:
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